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    <loc>https://www.jimcarrollsblog.com/blog/2026/4/2/lucian-freud-getting-as-near-to-it-as-i-can</loc>
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      <image:title>Blog - Lucian Freud: Getting as Near to It as I Can - Make it stand out</image:title>
      <image:caption>Lucian Freud - Girl in Bed. Photo: © National Portrait Gallery, London. Lent by a private collection</image:caption>
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      <image:title>Blog - Lucian Freud: Getting as Near to It as I Can - Make it stand out</image:title>
      <image:caption>Lucian Freud - Portrait of a Young Man, 1944 (black crayon &amp; white chalk on paper) © The Lucian Freud Archive. All Rights Reserved 2025 / Bridgeman Images. Private Collection.</image:caption>
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      <image:title>Blog - Lucian Freud: Getting as Near to It as I Can - Make it stand out</image:title>
      <image:caption>Lucian Freud - The Painter's Mother. Oil on Canvas 1982 - 1984</image:caption>
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      <image:title>Blog - Lucian Freud: Getting as Near to It as I Can - Make it stand out</image:title>
      <image:caption>Lucian Freud - David Hockney, 2002 (oil on canvas) © The Lucian Freud Archive. Private Collection.</image:caption>
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    <lastmod>2026-03-26</lastmod>
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      <image:title>Blog - Rose Wylie: ‘Anything That Is Out of Control, I Like’ - Make it stand out</image:title>
      <image:caption>Rose Wylie - Pink Skater (Will I Win, Will I Win), 2015 Photograph courtesy Jari Lager: Soon-Hak Kwon © Rose Wylie)</image:caption>
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      <image:title>Blog - Rose Wylie: ‘Anything That Is Out of Control, I Like’ - Make it stand out</image:title>
      <image:caption>Rose Wylie - Yellow Strip</image:caption>
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      <image:title>Blog - Rose Wylie: ‘Anything That Is Out of Control, I Like’ - Make it stand out</image:title>
      <image:caption>Rose Wylie - Study from Red Twink</image:caption>
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      <image:title>Blog - Rose Wylie: ‘Anything That Is Out of Control, I Like’ - Make it stand out</image:title>
      <image:caption>Rose Wylie - Snowwhite (3), with Duster</image:caption>
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  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2026/3/19/the-unwelcome-feedback-do-you-want-an-opinion-or-affirmation</loc>
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    <lastmod>2026-03-19</lastmod>
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      <image:title>Blog - The Unwelcome Feedback: Do You Want an Opinion or Affirmation? - Make it stand out</image:title>
      <image:caption>Carl Wilhelm Anton Seiler (1846–1921) - Cigars After Dinner (1901)</image:caption>
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    <lastmod>2026-03-12</lastmod>
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      <image:title>Blog - Breakdown: 1975. ‘We Saw an Opening. We Ran and We Took It.’ - Make it stand out</image:title>
      <image:caption>Robert De Niro and Martin Scorsese on the set of Taxi Driver. Photograph: Archive Photos/Getty Images</image:caption>
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      <image:title>Blog - Breakdown: 1975. ‘We Saw an Opening. We Ran and We Took It.’ - Make it stand out</image:title>
      <image:caption>Jack Nicholson, Danny DeVito and other cast members in ‘One Flew Over the Cuckoo’s Nest.’ Associated Press</image:caption>
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      <image:title>Blog - Breakdown: 1975. ‘We Saw an Opening. We Ran and We Took It.’ - Make it stand out</image:title>
      <image:caption>Network (1976) Film still.</image:caption>
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    <lastmod>2026-03-06</lastmod>
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      <image:title>Blog - Wright of Derby: Don’t Let Me Be Misunderstood - Make it stand out</image:title>
      <image:caption>Joseph Wright 'of Derby' - An Experiment on a Bird in the Air Pump. Oil on canvas</image:caption>
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      <image:title>Blog - Wright of Derby: Don’t Let Me Be Misunderstood - Make it stand out</image:title>
      <image:caption>Joseph Wright 'of Derby' - 'A Philosopher giving That Lecture on the Orrery in Which a Lamp Is Put in the Place of the Sun. Oil on canvas</image:caption>
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      <image:title>Blog - Wright of Derby: Don’t Let Me Be Misunderstood - Make it stand out</image:title>
      <image:caption>Joseph Wright 'of Derby' - Three Persons Viewing the Gladiator by Candlelight. Oil on canvas</image:caption>
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    <lastmod>2026-02-26</lastmod>
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      <image:title>Blog - My Captain Birdseye Incident: To See Ourselves as Others See Us - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2026/2/19/simple-minds-we-should-go-down-our-own-path-and-see-where-it-takes-us</loc>
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    <lastmod>2026-02-19</lastmod>
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      <image:title>Blog - Simple Minds: ‘We Should Go Down Our Own Path and See Where It Takes Us’ - Make it stand out</image:title>
      <image:caption>Photo: Virginia Turbett/Redferns</image:caption>
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      <image:title>Blog - Simple Minds: ‘We Should Go Down Our Own Path and See Where It Takes Us’ - Make it stand out</image:title>
      <image:caption>Simple Minds ‘Empires and Dance’ Album Cover</image:caption>
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      <image:title>Blog - Simple Minds: ‘We Should Go Down Our Own Path and See Where It Takes Us’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Simple Minds: ‘We Should Go Down Our Own Path and See Where It Takes Us’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.jimcarrollsblog.com/blog/2026/2/12/turner-and-constable-poetry-and-truth-fire-and-rain</loc>
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    <lastmod>2026-02-12</lastmod>
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      <image:title>Blog - Turner and Constable: Poetry and Truth, Fire and Rain - Make it stand out</image:title>
      <image:caption>Turner, Snow Storm - Steam - Boat off a Harbour’s Mouth</image:caption>
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      <image:title>Blog - Turner and Constable: Poetry and Truth, Fire and Rain - Make it stand out</image:title>
      <image:caption>Turner, Rain Steam and Speed -The Great Western Railway</image:caption>
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      <image:title>Blog - Turner and Constable: Poetry and Truth, Fire and Rain - Make it stand out</image:title>
      <image:caption>Constable, The White Horse</image:caption>
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      <image:title>Blog - Turner and Constable: Poetry and Truth, Fire and Rain - Make it stand out</image:title>
      <image:caption>Constable, Cloud Study</image:caption>
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    <loc>https://www.jimcarrollsblog.com/blog/2026/2/5/in-the-final-reckoning-kindness-trumps-success</loc>
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    <priority>0.5</priority>
    <lastmod>2026-02-06</lastmod>
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      <image:title>Blog - In the Final Reckoning, Kindness Trumps Success - Make it stand out</image:title>
      <image:caption>The Funeral of Shelley by Louis Édouard Fournier. Walker Art Gallery Liverpool</image:caption>
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    <loc>https://www.jimcarrollsblog.com/blog/2026/1/29/all-my-sonsnbspit-doesnt-excuse-you-that-you-did-it-for-the-family</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-29</lastmod>
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      <image:title>Blog - All My Sons:&amp;nbsp;‘It Doesn’t Excuse You That You Did It for the Family’ - Make it stand out</image:title>
      <image:caption>Bryan Cranston, Marianne Jean-Baptiste, Hayley Squires and Paapa Essiedu In All My Sons Directed by Ivo Van Hove at Wyndham’s Theatre</image:caption>
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    <image:image>
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      <image:title>Blog - All My Sons:&amp;nbsp;‘It Doesn’t Excuse You That You Did It for the Family’ - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.jimcarrollsblog.com/blog/2026/1/22/the-subtle-simplicity-of-william-nicholson</loc>
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    <lastmod>2026-01-22</lastmod>
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      <image:title>Blog - The ‘Subtle Simplicity’ of William Nicholson - Make it stand out</image:title>
      <image:caption>William Nicholson - The Lustre Bowl with Green Peas</image:caption>
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    <image:image>
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      <image:title>Blog - The ‘Subtle Simplicity’ of William Nicholson - Make it stand out</image:title>
      <image:caption>William Nicholson - A was an Artist</image:caption>
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    <image:image>
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      <image:title>Blog - The ‘Subtle Simplicity’ of William Nicholson - Make it stand out</image:title>
      <image:caption>William Orpen -  ‘A Bloomsbury Family’</image:caption>
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    <image:image>
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      <image:title>Blog - The ‘Subtle Simplicity’ of William Nicholson - Make it stand out</image:title>
      <image:caption>William Nicholson - Miss Wish Wynne, Actress, in the Character of Janet Cannot for the Play 'The Great Adventure''</image:caption>
    </image:image>
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      <image:title>Blog - The ‘Subtle Simplicity’ of William Nicholson - Make it stand out</image:title>
      <image:caption>William Nicholson - Gold Jug</image:caption>
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  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2026/1/15/phaedra-a-life-of-surprises</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-16</lastmod>
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      <image:title>Blog - Phaedra: A Life of Surprises - Make it stand out</image:title>
      <image:caption>Alexandre Cabanel - Phaedra, 1880. Oil on canvas. Musée Fabre, Montpellier</image:caption>
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  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2026/1/8/the-restless-fearless-life-of-lee-miller-getting-out-on-a-damn-limb-and-sawing-it-off-behind-you</loc>
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    <lastmod>2026-01-09</lastmod>
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      <image:title>Blog - The Restless, Fearless Life of Lee Miller: ‘Getting Out on a Damn Limb and Sawing It Off Behind You’ - Make it stand out</image:title>
      <image:caption>Lee Miller - Model with Lightbulb c1943 © Lee Miller Archives.. leemiller.co.uk</image:caption>
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      <image:title>Blog - The Restless, Fearless Life of Lee Miller: ‘Getting Out on a Damn Limb and Sawing It Off Behind You’ - Make it stand out</image:title>
      <image:caption>Lee Miller - Self Portrait 1930</image:caption>
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    <image:image>
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      <image:title>Blog - The Restless, Fearless Life of Lee Miller: ‘Getting Out on a Damn Limb and Sawing It Off Behind You’ - Make it stand out</image:title>
      <image:caption>Man Ray with Lee Miller, ‘Homage de DAF de Sade’</image:caption>
    </image:image>
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      <image:title>Blog - The Restless, Fearless Life of Lee Miller: ‘Getting Out on a Damn Limb and Sawing It Off Behind You’ - Make it stand out</image:title>
      <image:caption>Lee Miller - Portrait of Space, Al Bulyaweb, near Siwa, Egypt</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/ee8473c6-1863-464c-8905-44aa0be88073/Screenshot+2026-01-08+at+11.22.37.png</image:loc>
      <image:title>Blog - The Restless, Fearless Life of Lee Miller: ‘Getting Out on a Damn Limb and Sawing It Off Behind You’ - Make it stand out</image:title>
      <image:caption>Lee Miller - Fire Masks, Downshire Hill 1941 © Lee Miller Archives.. leemiller.co.uk</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/ef8d3e0d-fc38-4be1-adf4-b7cfd139f389/Screenshot+2026-01-08+at+11.24.17.png</image:loc>
      <image:title>Blog - The Restless, Fearless Life of Lee Miller: ‘Getting Out on a Damn Limb and Sawing It Off Behind You’ - Make it stand out</image:title>
      <image:caption>Lee Miller and David E. Scherman - ‘Lee Miller in Hitler’s bathtub, Hitler’s apartment.' 1945 © Lee Miller Archives.. leemiller.co.uk</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2025/12/11/anna-ancher-staying-mainly-at-home</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-11</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/f04ee0c4-6cc3-4d75-841c-4bfa3f6fb7d9/Screenshot+2025-12-11+at+10.50.29.png</image:loc>
      <image:title>Blog - Anna Ancher: ‘Staying Mainly at Home’ - Make it stand out</image:title>
      <image:caption>Anna Archer - Interior With Red Poppies. 1905 Oil on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/ec119b20-5372-42ae-a7d0-4dbc852b4577/Screenshot+2025-12-11+at+10.55.56.png</image:loc>
      <image:title>Blog - Anna Ancher: ‘Staying Mainly at Home’ - Make it stand out</image:title>
      <image:caption>Anna Archer -Sunlight in the Blue Room. 1891. Oil on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/2ca23602-9b55-4f68-9467-0389971bb5e9/Screenshot+2025-12-11+at+10.59.55.png</image:loc>
      <image:title>Blog - Anna Ancher: ‘Staying Mainly at Home’ - Make it stand out</image:title>
      <image:caption>Anna Ancher - The Maid in the Kitchen. 1883 - 1886. Oil on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/d96bd343-2bdb-4788-89f2-643144bbc54d/Screenshot+2025-12-11+at+11.01.52.png</image:loc>
      <image:title>Blog - Anna Ancher: ‘Staying Mainly at Home’ - Make it stand out</image:title>
      <image:caption>Anna Ancher - Harvesters. 1905. Oil on Canvas</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2025/12/4/the-pointillist-dilemma-can-painstaking-precision-ever-express-or-elicit-passionnbsp</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-12-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/f1c049d9-a239-4af9-ba37-5a9b6e43ace7/Screenshot+2025-12-04+at+10.47.23.png</image:loc>
      <image:title>Blog - The Pointillist Dilemma: Can Painstaking Precision Express or Elicit Passion?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Henry van de Verde (1863-1957) - Avondschemer (Twilight) c.1889. Oil on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/84781b7b-d739-4f79-af3d-88672cae0578/Screenshot+2025-12-04+at+10.52.12.png</image:loc>
      <image:title>Blog - The Pointillist Dilemma: Can Painstaking Precision Express or Elicit Passion?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Georges Seurat (1859 -1891) - Le Bec du Hoc, Grandcamp 1885. Oil on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/b958cbd2-59f2-4442-84b6-f8bee5a6f65a/Screenshot+2025-12-04+at+10.59.37.png</image:loc>
      <image:title>Blog - The Pointillist Dilemma: Can Painstaking Precision Express or Elicit Passion?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Maximilien Luce (1858-1941) - Morning, Interior (1890). Oil on Canvas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/d301e42e-2294-4b20-adb1-f85a7d9dd025/Screenshot+2025-12-04+at+11.02.48.png</image:loc>
      <image:title>Blog - The Pointillist Dilemma: Can Painstaking Precision Express or Elicit Passion?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Paul Signac (1863-1935) - La Salle à Manger (The Dinning Room) c1886. Oil on canvas.</image:caption>
    </image:image>
  </url>
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    <loc>https://www.jimcarrollsblog.com/blog/2025/11/27/figures-in-extinction-if-separation-is-the-question-then-connection-is-surely-the-answer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-27</lastmod>
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      <image:title>Blog - Figures in Extinction: ‘If Separation is the Question, Then Connection is Surely the Answer’ - Make it stand out</image:title>
      <image:caption>Still from Figures On Extinction © Andrew Perry</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/697ae79f-9c20-4234-9f37-a55d33c13962/Screenshot+2025-11-27+at+12.49.33.png</image:loc>
      <image:title>Blog - Figures in Extinction: ‘If Separation is the Question, Then Connection is Surely the Answer’ - Make it stand out</image:title>
      <image:caption>Figures In Extinction -  Nederlands Dans Theater and Complicité</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Figures in Extinction: ‘If Separation is the Question, Then Connection is Surely the Answer’ - Make it stand out</image:title>
      <image:caption>Figures In Extinction -  Nederlands Dans Theater and Complicité. Photograph: Tristram Kenton/The Guardian</image:caption>
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    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-21</lastmod>
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      <image:caption>Fran Cotton ‘Mud Man' by Colin Elsey</image:caption>
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      <image:title>Blog - JD’s Introduction to Rugby: The Unifying Power of Inspirational Speech - Make it stand out</image:title>
      <image:caption>John Davies (the shorter man in a white headband) was part of the great 1960s London Welsh side, which included seven Lions</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2025/11/13/wayne-thiebaud-when-the-common-becomes-uncommon</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-14</lastmod>
    <image:image>
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      <image:title>Blog - Wayne Thiebaud: When the Common Becomes Uncommon - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud (1920-2021), Boston Cremes, 1962. Oil on canvas, Crocker Art Museum © Waynw Thiebaud</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/618a7656-c9c3-45ad-b994-e1c48dd605f0/Screenshot+2025-11-13+at+11.01.41.png</image:loc>
      <image:title>Blog - Wayne Thiebaud: When the Common Becomes Uncommon - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud Pie Counter, 1963</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/65c69026-9a06-4731-83fa-2f7f87fc180c/Screenshot+2025-11-13+at+11.03.19.png</image:loc>
      <image:title>Blog - Wayne Thiebaud: When the Common Becomes Uncommon - Make it stand out</image:title>
      <image:caption>Wayne Thiebaud (1920-2021), Cakes, 1963. Oil on canvas, National Gallery of Art, Washington © Waynw Thiebaud</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2025/11/2/kerry-james-marshall-seeing-the-unseen</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-11-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/763e7071-3524-48ce-bb06-e87bffe2c04e/Screenshot+2025-11-02+at+17.24.16.png</image:loc>
      <image:title>Blog - Kerry James Marshall: Seeing the Unseen - Make it stand out</image:title>
      <image:caption>Kerry James Marshall - Untitled (detail), 2009. Acrylic on PVC panel. 155.3 x 185.1 cm Yale University Art Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/8fa182ac-5af4-4835-a0a8-20608f949f71/Screenshot+2025-11-02+at+17.26.24.png</image:loc>
      <image:title>Blog - Kerry James Marshall: Seeing the Unseen - Make it stand out</image:title>
      <image:caption>Kerry James Marshall - De Style (detail), 1993. Acrylic and collage on canvas. 264.2 x 309.9 cm. Los Angeles County Museum of Art,</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/e6b7224d-83fe-49e6-afe2-fc44da90ec81/Screenshot+2025-11-02+at+17.28.36.png</image:loc>
      <image:title>Blog - Kerry James Marshall: Seeing the Unseen - Make it stand out</image:title>
      <image:caption>Kerry James Marshall - Knowledge and Wonder (detail), 1995. Oil on canvas. 294.6 x 698.5 cm City of Chicago Public Art Program and the Chicago Public Library</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Kerry James Marshall: Seeing the Unseen - Make it stand out</image:title>
      <image:caption>Kerry James Marshall - ‘Past Times’ (1997)</image:caption>
    </image:image>
  </url>
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    <loc>https://www.jimcarrollsblog.com/blog/2025/10/29/my-mini-cooper-negotiation-strategists-dont-necessarily-cut-the-best-deals</loc>
    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-30</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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  </url>
  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2025/10/23/blitz-the-art-of-cultural-commentary</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-23</lastmod>
    <image:image>
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      <image:caption>Photo Sheila Rock</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Blitz: The Art of Cultural Commentary - Make it stand out</image:title>
      <image:caption>Spandau Ballet, 1980 - Graham Smith</image:caption>
    </image:image>
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      <image:title>Blog - Blitz: The Art of Cultural Commentary - Make it stand out</image:title>
      <image:caption>Boy George - Andy Rosen</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Blitz: The Art of Cultural Commentary - Make it stand out</image:title>
      <image:caption>Marilyn 1982 - Robert Rosen</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Chronology - Photo Jim Carroll</image:caption>
    </image:image>
  </url>
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    <changefreq>monthly</changefreq>
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    <lastmod>2025-10-16</lastmod>
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      <image:title>Blog - The Very Pleasant Man: The Challenge of Working in the Persuasion Business - Make it stand out</image:title>
      <image:caption>Norman Rockwell - Doctor and Boy Looking at Thermometer. 1954</image:caption>
    </image:image>
  </url>
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    <changefreq>monthly</changefreq>
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      <image:title>Blog - Folkestone Triennial: Art and Inspiration Are Everywhere, All Around Us - Make it stand out</image:title>
      <image:caption>Photo: Mike Eggers ©</image:caption>
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    <image:image>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Folkestone Triennial: Art and Inspiration Are Everywhere, All Around Us - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Blog - Folkestone Triennial: Art and Inspiration Are Everywhere, All Around Us - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>https://www.jimcarrollsblog.com/blog/2025/10/2/united-in-dreams-divided-by-realities</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-10-03</lastmod>
    <image:image>
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      <image:title>Blog - United in Dreams, Divided by Realities - Make it stand out</image:title>
      <image:caption>William Dobell - Young Man Sleeping , 1935</image:caption>
    </image:image>
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    <loc>https://www.jimcarrollsblog.com/blog/2025/9/25/k3bynyevcmjpaiga68et64awlihgir</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2025-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/3401e81d-24ef-4b7d-b778-f53e25c198a8/Screenshot+2025-09-25+at+11.14.24.png</image:loc>
      <image:title>Blog - Sargent’s Heiresses: In Generalising, We Should Not Lose Sight of People’s Individuality - Make it stand out</image:title>
      <image:caption>John Singer Sargent - Mary Crowninshield Endicott Chamberlain (1902)</image:caption>
    </image:image>
    <image:image>
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      <image:caption>John Singer Sargent - 'Mrs. Wilton Phipps', 1884</image:caption>
    </image:image>
    <image:image>
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      <image:caption>John Singer Sargent - Nancy Witcher Langhorne, Viscountess Astor (1908)</image:caption>
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      <image:caption>Relief sculptures … Lines in Space No 51 (1965). Photograph: © The Estate of Paule Vézelay</image:caption>
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      <image:caption>Installation view, Tarot: Photo: Stephen White &amp; Co. Courtesy The Warburg Institute</image:caption>
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      <image:caption>1975 by Noah Davis.Oil on canvas. Image: Kerry McFate/Courtesy The Estate of Noah Davis and David Zwirner</image:caption>
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      <image:caption>Noah Davis - Pueblo del Rio, Arabesque, 2014 Copyright: The Estate of Noah Davis, Courtesy THe Estate of Noah Davis and David Zwirner</image:caption>
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      <image:caption>Mickalene Thomas, Afro Goddess Looking Forward, 2015, Rhinestones, acrylic, and oil on wood panel, 60 x 96 in (152.4 x 243.8 cm)</image:caption>
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      <image:caption>The head of a youth, attributed to Pietro Faccini, c.1590 King's Gallery</image:caption>
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      <image:title>Blog - Renaissance Drawing: Inspiration Needs Preparation - Make it stand out</image:title>
      <image:caption>Leonardo da Vinci’s Studies of a horse, c 1490 ROYAL COLLECTION ENTERPRISES LIMITED 2024/ROYAL COLLECTION TRUST</image:caption>
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      <image:caption>Bernardino Campi, The Virgin and Child (c.1570-80), which is in the exhibition at The King’s Gallery CREDIT: © ROYAL COLLECTION ENTERPRISES LIMITED 2024/ROYAL COLLECTION TRUST</image:caption>
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      <image:caption>Head of a Cleric c. 1448 Metalpoint on prepared ochre surface, heightened with white, 189 x 173 mm. Royal Library, Windsor</image:caption>
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      <image:caption>Tirzah Garwood - The Train Journey 1929. Wood engraving. Private collection</image:caption>
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      <image:caption>Tirzah, 1950, Photograph by Edwin Smith. Private Collection</image:caption>
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      <image:caption>Tirzah Garwood - Window Cleaner c.1927, pen, ink &amp; watercolour. Private collection</image:caption>
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      <image:caption>Vanessa Bell - Self Protrait c1958. The Charleston Trust © Estate of Vanessa Bell</image:caption>
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      <image:caption>Mary Cassatt, Breakfast in Bed, 1897, oil on canvas, 23 x 29 in. Gift of the Virginia Steele Scott Foundation. The Huntington Library, Art Museum, and Botanical Gardens.</image:caption>
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      <image:caption>Billy Howle as Jimmy and Ellora Torchia as Alison in Look Back In Anger at the Almeida Theatre, 2024 Photo: Marc Brenner</image:caption>
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      <image:caption>Kenneth Haigh (right) as Jimmy Porter, with Helena Hughes, Alan Bates and Mary Ure in the original production of Look Back in Anger at the Royal Court in London in 1956. Photograph: Charles Hewitt/Getty Images</image:caption>
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      <image:caption>Barbara Hulanicki, 1964. © Barbara Hulanicki</image:caption>
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      <image:caption>Claudette Johnson's 'Reclining Figure' (2017) © Halamish Collection</image:caption>
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      <image:caption>Claudette Johnson, Kind of Blue, 2020. Gouache, pastel ground, pastel, 1.2 × 1.5 m. Courtesy: © Claudette Johnson and Hollybush Gardens, London. Photograph: AndyKeate</image:caption>
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      <image:caption>Auerbach, Self Portrait 1958</image:caption>
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      <image:caption>Auerbach, Gerda Boehm 1961</image:caption>
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      <image:caption>Auerbach, EOW 1960</image:caption>
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      <image:caption>A detail of Francesco Pesellino’s The Story of David and Goliath (around 1445-55) © National Gallery, London</image:caption>
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      <image:caption>King Melchior Sailing to the Holy Land by Francesco Pesellino. Photograph: © Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA (1955.940)</image:caption>
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      <image:caption>Francesco Pesellino (probably 1422–July 29, 1457), Museum of Fine Arts of Lyon</image:caption>
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      <image:caption>1950’s PAN AM Advertising Poster - Americans in London Resturant</image:caption>
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      <image:caption>Anne Bancroft and Dustin Hoffman in The Graduate 1967</image:caption>
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      <image:caption>Still Life Sailors (1980-85) Estate of John Craxton</image:caption>
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      <image:caption>Boy on a Blue Chair, 1946 John Craxton</image:caption>
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      <image:caption>John Craxton by Felix H. Man bromide print, 1940s© estate of Felix H. Man / National Portrait Gallery, London</image:caption>
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      <image:caption>Pastoral for PW John Craxton</image:caption>
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      <image:caption>John Held Jr - Jazz Age</image:caption>
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      <image:caption>Egyptian stone slab with wells for cosmetic ointments, 1991–1786BC. © Wellcome Collection/ Science Museum Group</image:caption>
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      <image:caption>A selection of 1920s fancy dress velvet beauty patches. © Fashion Museum Bath</image:caption>
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      <image:caption>Wellcome Foundation Archives. The Cult of Beauty, advertisement for Hazeline Snow, 1929</image:caption>
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      <image:caption>Miss Black &amp; Beautiful Sybil McLean with Fellow Contestants - Raphael Albert, Hammersmith Palais, London 1972 RA Albert, courtesy of Autograph London</image:caption>
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      <image:caption>Tina Turner performing on 'The Ed Sullivan Show' in 1970 CBS PHOTO ARCHIVE/GETTY IMAGES</image:caption>
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      <image:caption>Tina Turner perform at the Soul Bowl concert at Tulane Stadium in 1970. PHOTO BY MICHAEL P. SMITH/PROVIDED BY HISTORIC NEW ORLEANS COLLECTION</image:caption>
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      <image:caption>Sarah Lucas. From left: Sugar, 2020; Bunny, 1997; and Cool Chick Baby, 2020</image:caption>
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      <image:title>Blog - Small Plates: Do Your Processes Liberate or Constrain?&amp;nbsp; - Make it stand out</image:title>
      <image:caption>Chaim Soutine (1893-1943) - Le petit pâtissier</image:caption>
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  </url>
  <url>
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      <image:title>Blog - The Truth and Beauty of Bill Evans: ‘Jazz Is Not a What, It Is a How’ - Make it stand out</image:title>
      <image:caption>Bill Evans in Copenhagen 1964. Photo © Jan Persson</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Bill Evans. Seen here as he appears on the cover of the 2016 legacy release of the album ‘Some Other Time’</image:caption>
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      <image:title>Blog - Gwen John’s Interior Lives: Seeing People As They Are, Not As We Would Want Them To Be - Make it stand out</image:title>
      <image:caption>Gwen John, The Convalescent 1920-23</image:caption>
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      <image:caption>Young Woman in a Red Shawl. Gwen John (1876–1939)</image:caption>
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      <image:title>Blog - Gwen John’s Interior Lives: Seeing People As They Are, Not As We Would Want Them To Be - Make it stand out</image:title>
      <image:caption>Gwen John, Mère Poussepin  © The Henry Barber Trust, The Barber Institute of Fine Arts, Univeristy of Birmingham</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <lastmod>2023-08-10</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Wham!: A Story of Youth, Pop, the Zeitgeist and Elegant Divorce - Make it stand out</image:title>
      <image:caption>George Michael and Andrew Ridgeley in 1984. Photograph: Dpa Picture Alliance/Alamy</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/54ec56d6e4b07c3f656a7f2e/c66a0ac9-3329-47c1-8d12-af4eb997ec46/Screenshot+2023-08-09+at+23.41.55.png</image:loc>
      <image:title>Blog - Wham!: A Story of Youth, Pop, the Zeitgeist and Elegant Divorce - Make it stand out</image:title>
      <image:caption>Wham! Club Tropicana tour in 1983</image:caption>
    </image:image>
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      <image:title>Blog - Wham!: A Story of Youth, Pop, the Zeitgeist and Elegant Divorce - Make it stand out</image:title>
      <image:caption>Wham! © Getty</image:caption>
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    <lastmod>2023-08-03</lastmod>
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      <image:title>Blog - Carrie Mae Weems: Reframe, Rethink, React - Make it stand out</image:title>
      <image:caption>‘Painting the Town #3’ (2021) © Carrie Mae Weems/Jack Shainman Gallery/Galerie Barbara Thumm</image:caption>
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      <image:title>Blog - Carrie Mae Weems: Reframe, Rethink, React - Make it stand out</image:title>
      <image:caption>Carrie Mae Weems. Part of the series: From Here I Saw What Happened and I Cried 1995-96</image:caption>
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      <image:title>Blog - Carrie Mae Weems: Reframe, Rethink, React - Make it stand out</image:title>
      <image:caption>Carrie Mae Weems. The Louvre from Museums, 2006. © Carrie Mae Weems.</image:caption>
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      <image:caption>Carrie Mae Weems, Untitled (Playing Harmonica),1990/99</image:caption>
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      <image:title>Blog - Carrie Mae Weems: Reframe, Rethink, React - Make it stand out</image:title>
      <image:caption>Carrie Mae Weems, portrait by Jerry Klineberg © Carrie Mae Weems</image:caption>
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  <url>
    <loc>https://www.jimcarrollsblog.com/blog/2023/7/26/yevonde-be-original-or-die</loc>
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    <priority>0.5</priority>
    <lastmod>2023-07-27</lastmod>
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      <image:caption>Joan Maude by Yevonde (1932). © National Portrait Gallery, London</image:caption>
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      <image:caption>Orchids by Yevonde © National Portrait Gallery, London</image:caption>
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    <image:image>
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      <image:title>Blog - Yevonde: ‘Be Original or Die’ - Make it stand out</image:title>
      <image:caption>Dorothy Emily Evelyn (née Whittall), Lady Campbell as Niobe, Vivex colour print, June 1935 © Yevonde Portrait Archive</image:caption>
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      <image:caption>A Day in the Life of a Debutante: An hour's serious reading (Betty Cowell) by Yevonde © National Portrait Gallery, London</image:caption>
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      <image:caption>Yevonde with Vivex One-Shot Camera, by Yevonde, 1937, © National Portrait Gallery, London</image:caption>
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      <image:caption>Willian Roberts - The Vorticists at the Restaurant de la Tour Eiffel: Spring, 1915 ©The Tate</image:caption>
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      <image:caption>La Ruta ©Rahi Rezvani 2022 for Nederlands Dans Theater</image:caption>
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      <image:caption>La Ruta ©Rahi Rezvani 2022 for Nederlands Dans Theater</image:caption>
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      <image:title>Blog - Sleepova: Looking Through the Window and Into the Mirror - Make it stand out</image:title>
      <image:caption>Copyright © Helen Murray 2023</image:caption>
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      <image:caption>Playwright Matilda Feyiṣayọ Ibini</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Edouard Vuillard Portrait of Lugne-Poe 1891 Memorial Art Gallery of the University of Rochester (New York)</image:caption>
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      <image:caption>Vincent Van Gogh - Enclosed Field with Ploughman, 1889</image:caption>
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      <image:caption>Hilaire-Germain-Edgar Degas - Combing the Hair ('La Coiffure'). National Gallery, London</image:caption>
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      <image:caption>Ramon Casas i Carbó - Car. 1902</image:caption>
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      <image:caption>W Somerset Maugham, 1957. Photograph: Jane Bown/The Observer</image:caption>
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      <image:caption>Oivia Vinall and Chirag Benedict Lobo in The Circle, photo by Ellie Kurttz</image:caption>
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      <image:caption>© The artist's estate. Photo credit: Fry Art Gallery</image:caption>
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      <image:caption>Russell Maliphant’s ‘Vortex’ © Roswitha Chesher</image:caption>
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      <image:caption>Russell Maliphant’s ‘Vortex’</image:caption>
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      <image:caption>David Bowie photographed by MICK ROCK – On board the QE2, Southampton, UK, January 1973</image:caption>
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      <image:caption>Käthe Kollwitz,Woman with Dead Child, 1903. Etching on paper. 42.4 x 48.6 cm. © Käthe Kollwitz Museum Köln.</image:caption>
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      <image:caption>Käthe Kollwitz,Self-portrait, 1889. Pen, brush and ink on drawing carton. 31.2 x 24.2 cm. © Käthe Kollwitz Museum Köln.</image:caption>
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      <image:caption>The X-ray of Lewis’ Praxitella beside a reproduction of Saunders’ Atlantic City © the Courtauld / Estate of Helen Saunders</image:caption>
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      <image:caption>Early metronomes used at the time of Ludwig van Beethoven incorporate a weighted mechanical pendulum with a scale written underneath. (Courtesy: iStock/Stefan-Rotter)</image:caption>
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      <image:caption>Massage between wrestlers training 1904 . Vincent Monozlay</image:caption>
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      <image:caption>Barbra Streisand in Funny Girl 1968</image:caption>
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      <image:caption>The original cast of Sesame Street in set, 1969</image:caption>
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      <image:caption>Joan Coonie © Sesame Workshop</image:caption>
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      <image:caption>Husband and Wife, 1945 by Milton Avery. © 2022 Milton Avery Trust/ Artists Rights Society (ARS), New York and DACS, London</image:caption>
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      <image:caption>Blue Trees, 1945 (Collection Neuberger Museum of Art)</image:caption>
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      <image:caption>March in Brown, 1954. Oil on canvas. 111.8 x 81.3 cm. Private collection. Courtesy Victoria Miro, London</image:caption>
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      <image:caption>Boathouse by the Sea, 1959 Oil on canvas. 182.9 x 152.4 cm, 72 x 60 in © [2022] The Milton Avery Trust. Courtesy Victoria Miro</image:caption>
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      <image:caption>Rebecca Miller filming Arthur Miller in wood shop Courtesy of Telluride Film Festival</image:caption>
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      <image:caption>Marilyn Monroe and Arthur Miller, in Reno, Nevada, in 1960. Photograph by Inge Morath / Magnum</image:caption>
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      <image:caption>Montgomery Clift, Marilyn Monroe, Eli Wallach, Arthur Miller, John Huston, Clark Gable, The Misfits</image:caption>
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      <image:caption>‘Acrobats Waiting to Rehearse’ Glyn Philpot Royal Pavilion &amp; Museums, Brighton</image:caption>
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      <image:caption>Walter Richard Sickert - Minnie Cunningham at the Old Bedford. 1892</image:caption>
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      <image:caption>Walter Sickert Little Dot Hetherington at the Bedford Music Hall 1888–89</image:caption>
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      <image:caption>Walter Sickert: Noctes Ambrosianae (1906)</image:caption>
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      <image:caption>West Ham fans at a game on 1 March 1930 pass a young boy to the front of the stand. Getty Images</image:caption>
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      <image:caption>Alvin Ailey American Dance Theater in a 2018 performance of "Revelations," at New York City Center. Photo: Andrea Mohin/The New York Times</image:caption>
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      <image:caption>Alvin Ailey Dance Theater in the "Move, Members, Move" section of Revelations, in 2011.Earl Gibson/AP</image:caption>
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      <image:caption>James Abbott McNeill Whistler, Symphony in White, No. 2: The Little White Girl, 1864.</image:caption>
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      <image:caption>Wapping, 1860–64. National Gallery of Art, Washington, John Hay Whitney Collection</image:caption>
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      <image:caption>Photo credit: Puma archive</image:caption>
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      <image:caption>One of the two match balls used in the 1930 World Cup final, supplied by Argentina and used in the first half. Credit: Neville Evans Collection</image:caption>
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      <image:caption>Day and Night (1938)</image:caption>
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      <image:caption>Full Stop (1961) The Estate of John Latham/Tate</image:caption>
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      <image:caption>First Contact, 1958 by John McHale</image:caption>
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      <image:caption>‘West Indian Waitresses’ by Eva Frankfurther c1955. Photo Courtesy of the Ben Uri Gallery.</image:caption>
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      <image:caption>Robert Moses, urban planner. Roosevelt Island, New York, 1959.Credit...Arnold Newman/Courtesy of Howard Greenberg Gallery</image:caption>
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      <image:caption>Robert Moses with a model lower end of Manhattan and the bridge with which it is proposed to connect Battery Park with Brooklyn, March 1939. Photograph: Bettmann/Corbis</image:caption>
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      <image:caption>Jacobs as chair of a Greenwich Village civic group at a 1961 press conference</image:caption>
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      <image:caption>Helen Frankenthaler in 1957, photographed by Gordon Parks. © The Gordon Parks Foundation</image:caption>
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      <image:caption>Kerry James Marshall, Untitled (Painter), 2008, Acrylic on PVC panel in artist’s frame, 73 x 62.9 cm. Collection of Charlotte and Herbert S. Wagner III. © Kerry James Marshall.</image:caption>
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      <image:caption>The studio of Francis Bacon, ‘luminous dabs blossoming across the walls’. Photograph: Perry Ogden © The Estate of Francis Bacon All rights reserved, DACS/Artimage 2021</image:caption>
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      <image:caption>Andy Warhol and Jean-Michel Basquiat, Untitled (General Electric II) acrylic, oil pastel and silkscreen ink on canvas</image:caption>
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      <image:caption>Geraldine Dent, New York City, 1949. Photograph: Ruth Orkin</image:caption>
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      <image:caption>Preparing a Warp from Nylon Yarn, British Nylon Spinners, digital C-type print, by Maurice Broomfield, 1964, printed 2007, Pontypool, Wales. Museum no. E.3730-2007. © Estate of Maurice Broomfield</image:caption>
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      <image:caption>‘Sophie Taeuber with her Dada head’, 1920, by Nicolai Aluf (Stiftung Arp e.V., Berlin)</image:caption>
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      <image:caption>Sophie Taeuber-Arp ‘Angela' (marionette for King Stag) 1918 Museun für Gestaltung, Zürcher Hochschule der Künste, Zurich. Decorative Arts Collection</image:caption>
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      <image:caption>Animated Circles 1934 by Sophie Taeuber-Arp (1934)</image:caption>
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      <image:caption>Apollo 11 liftoff. Credit: NASA</image:caption>
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      <image:caption>Roger Bamber/Shutterstock</image:caption>
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      <image:caption>Peter Sugar, Michael Simmonds and Mark Feld in Town magazine, September 1962.</image:caption>
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      <image:caption>T. Rex: The Slider (1972)</image:caption>
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      <image:caption>Charlotte Perriand in her studio on place Saint-Sulpice, Paris, 1928. The hands holding a plate halolike behind her head are Le Corbusier’s. Photo: Archives Charlotte Perriand</image:caption>
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      <image:caption>Bar sous le Toit (‘Bar under the roof’)</image:caption>
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      <image:caption>Perriand on the chaise longue</image:caption>
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      <image:caption>Proposition d'une synthèse des arts, Takashimaya department store, Tokyo, 1955</image:caption>
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      <image:caption>Joseph Mallord William Turner - Norham Castle, on the River Tweed, c.1822–3</image:caption>
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      <image:caption>William Henry Fox Talbot - A Fruit Piece with a single pineapple</image:caption>
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      <image:caption>Ogawa Kazumasa: Chrysanthemum, albumen print, hand-colored, Japan c. 1890</image:caption>
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      <image:caption>Ceremonial Hat for Eating Bouillabaisse, 1936 (b/w photo) by Eileen Agar (private collection) / Estate of Eileen Agar</image:caption>
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      <image:caption>Eileen Agar - Surrealist Collage, 1938</image:caption>
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      <image:caption>Eileen Agar's collage on paper, Precious Stones (1936). Courtesy of Leeds Museums and Galleries. © The estate of Eileen Agar.</image:caption>
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      <image:caption>Eileen Agar, Untitled collage, 1936. Mixed media and collage on paper, 75.5 x 53.3 cm. Courtesy of Mayor Gallery. © Estate of Eileen Agar/Bridgeman Images</image:caption>
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      <image:caption>Eileen Agar, Angel of Anarchy 1936-40 © The Estate of Eileen Agar</image:caption>
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      <image:caption>Jean Dubuffet - 'Landscape with Argus' 1955</image:caption>
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      <image:caption>Jean Dubuffet - Wall with Inscriptions, April 1945</image:caption>
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      <image:caption>Jean Dubuffet - ‘Landscape in Metamorphosis’</image:caption>
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      <image:caption>Jean Dubuffet - 'The Exemplary Life of the Soil (Texturology LXIII)’, 1958</image:caption>
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      <image:caption>Norman Mailer and Germaine Greer: Photograph courtesy Pennebaker Hegedus Films</image:caption>
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      <image:caption>Jill Johnston</image:caption>
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    <lastmod>2020-11-15</lastmod>
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      <image:title>Blog - Nocturnal Animals: The Waking Dreams of Leon Spilliaert</image:title>
      <image:caption>Léon Spilliaert,Woman at the Shoreline, 1910</image:caption>
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      <image:caption>Léon Spilliaert, Hofstraat, Ostend, 1908</image:caption>
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    <image:image>
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      <image:title>Blog - Nocturnal Animals: The Waking Dreams of Leon Spilliaert</image:title>
      <image:caption>Léon Spilliaert, Self-portrait, 3 November, 1908.</image:caption>
    </image:image>
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    <lastmod>2020-11-15</lastmod>
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    <lastmod>2020-11-15</lastmod>
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      <image:caption>Zhang Xiaogang’s My Mother, 2012. © Zhang Xiaogang / Courtesy Pace Gallery. Photo by: Wang Xiang.</image:caption>
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    <priority>0.5</priority>
    <lastmod>2020-11-15</lastmod>
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      <image:caption>Dora Maar Untitled (Hand-Shell) 1934 © Estate of Dora Maar / DACS 2019</image:caption>
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    <image:image>
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      <image:title>Blog - Dora Maar: A Subversive Life</image:title>
      <image:caption>Cecil Beaton Dora Maar behind one of her works, in her studio at 6 rue de Savoie, Paris 1944 Musée Picasso (Paris, France) © The Cecil Beaton Studio Archive at Sotheby’s</image:caption>
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    <image:image>
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      <image:title>Blog - Dora Maar: A Subversive Life</image:title>
      <image:caption>Dora Maar, The years lie in wait for you (around 1935). The William Talbott Hillman Collection © ADAGP, Paris and DACS, London 2019</image:caption>
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    <image:image>
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      <image:title>Blog - Dora Maar: A Subversive Life</image:title>
      <image:caption>Dora Maar, Man Looking Inside a Sidewalk</image:caption>
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    <lastmod>2020-11-15</lastmod>
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      <image:title>Blog - Picasso Drinking Gasoline: In Praise of Restless Souls and Inventive Minds</image:title>
      <image:caption>'Study for the Horse Head (I)', a sketch for ‘Guernica’ (1937)</image:caption>
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    <image:image>
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      <image:title>Blog - Picasso Drinking Gasoline: In Praise of Restless Souls and Inventive Minds</image:title>
      <image:caption>Pablo Picasso, Women at Their Toilette, Paris, winter 1937–38 Photo © RMN-Grand Palais (Musée national Picasso-Paris) / Adrien Didierjean</image:caption>
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    <image:image>
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      <image:title>Blog - Picasso Drinking Gasoline: In Praise of Restless Souls and Inventive Minds</image:title>
      <image:caption>Dog, Málaga, c. 1890 Cut-out paper © Museu Picasso, Barcelona. Photo, Gasull Fotografia © Succession Picasso/DACS 2020</image:caption>
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    <image:image>
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      <image:caption>Picasso next to the cut and folded cardboard sculpture of a seated man for Le Déjeuner sur l'herbe © RMN-Grand Palais (Musée national Picasso-Paris) / image RMN-GP © Succession Picasso/DACS 2020</image:caption>
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      <image:title>Blog - ‘Ace in the Hole’: Beware the Seductive Allure of Cynicism in the Workplace</image:title>
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      <image:caption>The Clash - Credit: Pennie Smith</image:caption>
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      <image:caption>The Clash - Credit: Pennie Smith</image:caption>
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    <lastmod>2020-11-15</lastmod>
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      <image:caption>David Bomberg 1890–1957 Vision of Ezekiel 1912</image:caption>
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      <image:title>Blog - ‘An Intenser Expression’: David Bomberg on Building Life and Art Anew</image:title>
      <image:caption>Detail from David Bomberg In the Hold, about 1913-14 © Tate</image:caption>
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      <image:caption>David Bomberg, The Mud Bath, 1914. © Tate</image:caption>
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      <image:title>Blog - A Taste of Honey: You Find Unusual People in Unusual Places</image:title>
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    <lastmod>2020-11-15</lastmod>
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      <image:caption>Filippo Albacini (1777–1858), The Wounded Achilles. Marble, 1825. © The Devonshire Collections, Chatsworth</image:caption>
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    <image:image>
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      <image:caption>Hans Eworth - Elizabeth I and the Three Goddesses 1569. © The Royal Collection Trust</image:caption>
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      <image:caption>‘Love at first sight’: amphora, c530BC (detail), showing Achilles killing Penthesilea. Photograph: British Museum</image:caption>
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      <image:caption>Exekias Achilles and Ajax Playing a Board Game 540-530 BCE. Terracotta amphora. Height 2 feet (Musei Vaticani, Rome)</image:caption>
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      <image:caption>Red-figure jar, c480-470BC: Odysseus, strapped to the mast, sails past the Sirens. Photograph: British Museum</image:caption>
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      <image:caption>Detail from Pause, 1964. Photograph: Bridget Riley 2019</image:caption>
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      <image:caption>Bridget Riley review. Cataract 3, 1967. © Bridget Riley 2019</image:caption>
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      <image:title>Blog - What Medium Do You Work In?: Bridget Riley and the Art of Perception</image:title>
      <image:caption>High Sky, 1991. Photograph: Bridget Riley 2019</image:caption>
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    <lastmod>2020-11-15</lastmod>
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      <image:title>Blog - ‘All the King’s Men’: Observations on a Tarnished Politician and a Jaded Fixer</image:title>
      <image:caption>Author Robert Penn Warren - 1950. (AP Photo)</image:caption>
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    <lastmod>2020-11-15</lastmod>
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      <image:caption>William Henry Perkin</image:caption>
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      <image:caption>Silk dress dyed with William Henry Perkin’s mauve aniline dye. Photo by SSPL/Getty Images.</image:caption>
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      <image:caption>Startled Man: Self Portrait, 1948. Photograph: © The Lucian Freud</image:caption>
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      <image:caption>Dieter Rams, Braun T 41 long, midwave, and shortwave transistor radio, 1962</image:caption>
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      <image:caption>Dieter Rams, Hans Gugelot Radio-Phonograph (model SK 4/10)1956</image:caption>
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      <image:caption>Dieter Rams, Dietrich LubsCalculator (model ET 55)1980</image:caption>
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      <image:caption>Dieter Rams 620 Chair Programme manufactured by Vitsoe</image:caption>
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      <image:caption>Photography © Dogwoof</image:caption>
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      <image:caption>Halston in New York in 1980. Credit: SAUER Jean-Claude/Paris Match Archive/Paris Match via Getty Images</image:caption>
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      <image:caption>Iman walks the runway in a Halston jersey dress in spring 1976, Pulse Magazine</image:caption>
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      <image:caption>Halston, bottom left, and models in his designs. Photographed by Duane Michals,Vogue, December 1, 1972</image:caption>
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      <image:caption>"Halstonettes" Pat Cleveland, Chris Royer, Alva Chinn and Karen Bjornson in 1980 - Photo, Dustin Pittman</image:caption>
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      <image:caption>Alberto Giacometti - Diego Seated, 1948, oil on canvas</image:caption>
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      <image:caption>Helene Schjerfbeck,Self-Portrait, Black Background, 1915</image:caption>
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